Records of Fortune

Yeah, Classics!

ex0skeletal:

Perseus Beheading Medusa
by Benvenuto Cellini
1645-1554 
Loggia dei Lanzi, Florence
Bronze
18 feet high

(via mythologer)

vacilandoelmundo:

Time Slice by Richard Silver

The idea behind the “Time Sliced” Project was to photograph iconic world buildings at sunset and capture the changing light from day to night in a single image. Experimenting with a few different kinds of processes I came up with the “Sliced” idea. I decided to Slice time and light showing the progression of the day from left to right.

(via inglourious-basterd)

mythology meme:  [3/3] mythical rulers

↳ romulus and remus of alba longa

Twin sons of Mars and Rhea Silvia, they were nursed by a she-wolf as infants and raised by a simple shepherd and his wife. Once they reached adulthood, they helped overthrow the false king of Alba Longa. Rather than press their own claim to the throne, however, they decided to restore the rightful king, and found a new city of their own. A disagreement arose, concerning the location of this new city; the brothers fought and Remus was killed. Romulus founded Rome and brought it glory, but as the years passed he became increasingly autocratic, and in the end either disappeared, ascended to the heavens to become a god in his own right, or was killed by the Senate, depending on the particular version of the myth.

(via carneliane)

aeneids:

monuments of ancient rome  1/??

Arch of Constantine, 315 CE

This enormous edifice was built along Rome’s triumphal route by the senate and people soon after Emperor Constantine’s victory over Maxentius in 312CE. It represents the beginning of a trend toward the strategic reuse of earlier material (sometimes called spolia) in new monuments in late antiquity. For example, the bearded statues above the columns were taken from Trajan’s Forum, and the round reliefs over the side-arches are from a monument of Hadrian’s time. The narrow, horizontal reliefs running below the roundels, by contrast, were commissioned under Constantine and represent his battles with Maxentius and his triumphal entry into Rome. (x)

(Source: kingarthurs, via c-aesarion)

recycledmoviecostumes:

Over the years Hollywood has glamorized Egyptian clothing, jewelry and headdresses, often painting a beautiful, but fairly inaccurate picture. This Egyptian inspired headdress has appeared in at least two BBC productions. It was first seen in the 2009 documentary Cleopatra: Portrait of a Killer on Camelia Ben Sekour as Cleopatra. It was used again in 2010, where it was worn by Alex Kingston as River Song in the episode of Doctor Who entitled The Pandorica Opens, though the palm frond at the top of the headdress has been removed.

To watch the documentary Cleopatra: Portrait of a Killer, click here.  To learn a bit more about the various styles of Royal Egyptian headdresses, go here and here.

(Source: recycledmoviecostumes.com)

ancientart:

A quick look at: the gladiators of Rome

I turned in to the games one mid-day hoping for a little wit and humor there. I was bitterly disappointed. It was really mere butchery. […] Then men were thrown to lions and to bears: but at midday to the audience. There was no escape for them. The slayer was kept fighting until he could be slain. “Kill him! Flog him! Burn him alive” was the cry: “Why is he such a coward? Why won’t he rush on the steel? Why does he fall so meekly? Why won’t he die willingly?" (Via the Internet Ancient History Sourcebook).

The above passage is given by Roman historian Seneca (Epistles 7), offering us a vivid (albeit, aristocratic) eyewitness account of gladiatorial games in the age of Nero. A unique product of Rome and Italy, the sensation of gladiators has become one of the most famous aspects of Roman society, and epitomizes the Roman taste for blood sports. 

There never seemed to have been a shortage of willing participants in Rome for this grim life. Candidates were originally found among captives and slaves, those with nothing to lose. However, as the popularity of the sport continued to grow, so did the need for other avenues of supply. During the empire, noblemen were sent by emperors into the arena for committing crimes. Freedmen and imperial citizens came to enter the auctorati, a class of people who sold themselves to gladiator schools. The auctorati gave an oath of service, by which they agreed to submit to burning, beating, and death if they didn’t perform the tasks required of them as gladiators. As we may imagine, it took a truly desperate man to enter into such a grim life of combat and death, a measure that was prompted in times of economic or political hardship. This was a way to escape debtors for those in poverty.

Shown at the top of the post are a series of Roman mosaics depicting gladiatorial scenes. The first is from the Villa Borghese, and on view at the Galleria Borghese in Rome. Note the names of the gladiators inscribed next to the figures, and the Θ symbol (it seems likely here that it is the Greek letter Θ for θάνατος, 'dead'), which marks those who have died in combat. The second mosaic is from Römerhalle in Germany, and the remaining mosaics are from the Roman villa in Nennig, Germany.

The first image is via the Wiki Commons, and the rest are courtesy of & taken by Carole Raddato.

(via mythologer)